The Dos and Don'ts of Mastering the Mismatched Dining Chair Trend
Do you often stare in envy at the flawless, utopian-like interiors on Pinterest and wonder why your home doesn't look like that? We do. Daily. The degree of planning that actually goes into decorating these pristine rooms is mind-blowing. In fact, it's always the ones that appear simple enough to replicate that are actually the hardest. That's why we love the mismatched chair trend so much. It's the perfect antidote for those of us who have a serious chair fetish (we heart you forever Pierre Jeanneret).
Besides, we adore way too many designers to exclude any one of them from our homes. Love an Eames lounge? Have a thing for Hans Wegner? Just can't go past a Cassina? Now you can have your cake, or chair, and eat it too. But before you start putting all your favourites around the dining table, we tapped the expertise of Homepolish residential designer, Tali Roth, and award-winning U.K. interior designer Abigail Ahern to bring you the definitive mix and match 101, along with their favourite designer and high-street picks to get started.
MYDOMAINE: Why do you love mismatching chairs? What value do they add to a room?
TALI ROTH: Mismatched dining chairs bring character and interest to any space. They are a very simple way of adding colour and drama to your home without spending a ton of money on styling. You can employ this design technique in any setting and within any interior style, and the effect is always dramatic. I recommend this to my bold clients who like taking risks and love playing with colour and texture.
ABIGAIL AHERN: Like any eclectic decorating styles, mismatched chairs are a tricky look to pull off; but do it right and something magical happens. It adds oodles of personality and visual interest to any space; stops it being too cookie-cutter or decorating by numbers; and makes your dining room uniquely yours. It’s a look I’ll always love.
Keep an eye on the heights. As much as I’m for a lively rhythm around a room, I think when it comes to dining chairs the seat heights need to be pretty similar, otherwise it can look a little disjointed. Particularly as you don’t want your dinner guests bobbing up and down all over the place.
MD: What colors should you consider when mixing chairs?
TR: If you want to be bold and mix different colour chairs together I think you should commit to it and go all out. When using mismatched colours, I would stick with the same or a similar chair throughout for some consistency. This is one of my favourite images that demonstrate this being done beautifully.
AA: For colour, there are two ways you can go. Either having a rainbow assortment of the same chair in as many different colours as you like—this is particularly cool with a classic chair design. Or have an assortment of different chairs and unify them by really reigning in the palette. This is a trick I use all the time, and it’s amazing how many disparate styles you can pull together by sticking to one hue.
MD: What eras should you pair together? Or does it matter?
TR: Yes. I think that grouping chairs by eras works really well as a point of consistency.
AA: This doesn’t matter to me at all. In my pad, I have tulip chairs hanging out with our own label barrel saloon chairs. They are totally different eras and styles, but the shapes create some unity. They work together because of the rule of pairs, but also because all those curves echo each other, and the shape of the table too.
MD: Can you mix vintage with new for a high/low mix?
TR: A mix of vintage and new works if, for example, you use something like a couple of Thonet chairs that you found at a flea market worked in with the newer styles of Thonet chairs. I also appreciate two vintage dining armchairs sitting at the head of the table amongst a bunch of more subtle new chairs. Too much of a mixture of high and low and old and new can be an eyesore and detract from the rest of the design elements in a space.
AA: Absolutely. I actually really like the juxtaposition of old and new, or something elegant (maybe an upholstered armchair) with something industrial, like a classic Tolix.
MD: What is your number one rule for mixing chairs?
TR: I have a more structured and contemporary aesthetic, so when I mismatch chairs I like to have some sort of unity, or cohesiveness to ensure the story flows nicely. I love the idea of a mixture of dining armchairs, dining side chairs, and dining stools all working together as one set, just like the image below. Here they are all the similar height and are either black or natural wood.
AH: Always mix and match in pairs. I do this all the time. It will make the scheme feel more cohesive if each chair is part of a couple.